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REVIEW | Horizon

01/09/2024
in Reviews
Reading Time: 3 mins read
REVIEW | Horizon
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Horizon

A Compelling Double Bill That Brings Contemporary Indigenous Storytelling to Life Through Dance

Reviewed by Brendan Daynes

Horizon by Bangarra Dance Theatre is a compelling double bill that brings contemporary Indigenous storytelling to life through dance, set design, lighting, and costume. Featuring two acts, Kulka and The Light Inside, the production powerfully explores cultural identity, connection to land, and the resilience of Indigenous communities, making it a standout addition to Bangarra’s repertoire.

Choreographed by Sani Townson, Kulka bursts onto the stage with vibrant energy and intricate choreography that reflects the cultural richness of the Torres Strait Islands. Each section is distinct, presenting a dynamic range of movement vocabulary that is both engaging and powerful. The choreography offers the dancers the opportunity to showcase their extraordinary talent, with every movement demonstrating their precision, fluidity, and deep understanding of the cultural narratives they bring to life. The dancers’ energy, athleticism, and stamina are evident as they navigate the complex choreography with purpose and intensity, keeping the audience engaged throughout.

The production elements are equally compelling, enhancing the storytelling and visual impact. A standout feature is the innovative use of an angled mirror, designed by Elizabeth Gadsby, which adds depth to the performance by creating a captivating interplay between reality and illusion. Karen Norris’s lighting design, paired with stage projections, further transforms the stage into a dynamic canvas where choreography, set, and light fuse to heighten the narrative and emotional impact. Complementing these elements, Clair Parker’s spectacular costumes go beyond mere functionality to embody the cultural stories and movements of the dancers. The vibrant colours and intricate patterns reflect the heritage of the Torres Strait, adding visual authenticity that deepens audience engagement.

The second act, The Light Inside, choreographed by Deborah Brown and Moss Te Ururangi Patterson, explores the themes of saltwater and freshwater, reflecting different aspects of Indigenous life and spirituality. This act captures the connection between people and nature, with fluid choreography that mirrors the gentle flow of a stream and the powerful surge of the ocean. The dancers embody these elements with remarkable fluidity, their movements echoing the rhythms and patterns of the natural world. Their precision and strength are evident in every step, as they shift from soft, rippling sequences to intense, crashing waves of movement, bringing to life the essence of water in all its forms.

Karen Norris’s lighting design plays a crucial role in creating atmospheric shifts that transport the audience through different times and places, enhancing the impact of the narrative. The masterful use of light and shadow delineates space and time, seamlessly guiding transitions between scenes. Complementing this, Jennifer Irwin’s costumes blend traditional motifs with contemporary design, reflecting the cultural narratives on stage while allowing dancers to move with freedom and grace. These costumes act as both visual elements and storytelling devices, adding depth and texture to the performance.

Throughout both acts, the dancers display an extraordinary range of skills, from contemporary dance techniques to traditional Indigenous movements. Their performances are not just about executing choreography but embodying the stories they are telling. There is a deep sense of commitment and respect for the material that shines through in every movement, as the dancers’ ability to convey emotion and narrative through their bodies reflects their artistry and dedication to their craft.

Horizon is more than a dance performance; it is a celebration of Indigenous culture and artistry that fosters cross-cultural learning and engagement with deeply personal yet universally resonant stories. Through its seamless integration of choreography, set design, lighting, and costumes, the production offers a profound experience that celebrates the strength, resilience and rich cultural heritage of Australia’s First Nations peoples. Bangarra Dance Theatre continues to be a vital force in the Australian arts landscape, blending tradition and innovation to create timeless works that celebrate and bring Indigenous narratives to the forefront.

Horizon has already captivated audiences at the Sydney Opera House on Gadigal Country, the Canberra Theatre Centre on Ngunnawal Country, and the Queensland Performing Arts Centre in Meanjin. The production is now running at the Arts Centre Melbourne on Wurundjeri Country from August 28 to September 7, 2024. Don’t miss your chance to experience this powerful work; visit https://my.bangarra.com.au/events?k=melbourne to book your tickets.

Tags: Bangarra Dance TheatreBrendan DaynesClair ParkerDeborah BrownElizabeth GadsbyHorizonKaren NorrisMoss Te Ururangi PattersonSani Townson
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