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Home Reviews

REVIEW | Wet Hard Long

13/07/2024
in Reviews
Reading Time: 2 mins read
REVIEW | Wet Hard Long
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Wet Hard Long (2023), by Jenni Large. Photo by Gregory Lorenzutti

Wet Hard Long

Captivates with Breathtaking Control and Thoughtful Design

Reviewed by Brendan Daynes

Wet Hard Long is an evocative and groundbreaking contemporary dance piece that seamlessly marries athleticism, artistry, and innovation. The production, which recently graced the stage at Melbourne’s Dancehouse, captivated the audience with its breathtaking choreography, ingenious use of props, and meticulously crafted production elements.

From the moment the lights dimmed, it was evident that this performance would be a visceral journey. Choreographer, Director & Performer, Jenni Large, and her fellow dancer, Amber McCartney, displayed absolutely incredible control, their movement quality a testament to their rigorous training and innate talent. The movement vocabulary was executed with precision, and the level of athleticism required to maintain such continuous control was nothing short of impressive.

The choreography was a masterclass in contemporary dance, blending fluid movements with sharp, staccato bursts of energy. The dancers moved with a synchronicity that was mesmerising, each step and gesture contributing to the piece’s overarching narrative. The choreography’s complexity and innovation were evident in every sequence, showcasing the dancers’ versatility and the choreographer’s visionary approach.

The integration of props into the choreography was particularly impressive. These props were not merely accessories but were cleverly woven into the fabric of the performance.  The dancers’ interaction with these props created a dynamic visual spectacle, transforming the stage into a playground of physical exploration.

Adelaide Harney’s lighting design played an integral role, enhancing the mood and complementing the choreography’s dynamic qualities. The lighting was both subtle and dramatic, shifting seamlessly to reflect the evolving narrative. Far from being a mere backdrop, it acted as a character in its own right, enriching the atmosphere and adding depth to the visual storytelling.

Michelle Boyde’s costume designs were not merely decorative; they played a pivotal role in the narrative by intricately reflecting the themes and emotions. Boyde’s work contributed significantly to the holistic nature of the performance, ensuring that every element was thoughtfully integrated.

The production’s ability to marry all elements of performance—choreography, props, lighting, and costumes—into a cohesive and compelling whole is a testament to the creative team’s vision and execution.

Wet Hard Long dives deep into complex and thought-provoking themes, exploring human connection, struggle, and resilience through the expressive physicality of its dancers. The production’s narrative strikes a balance between abstract concepts and tangible emotions, inviting audiences to interpret its layers of meaning. This remarkable achievement in contemporary dance not only showcases the extraordinary talent of its performers but also highlights the innovative vision of its creators.

Wet Hard Long played at Melbourne’s Dancehouse from 4th July – 13th July 2024. For more information, visit https://www.dancehouse.com.au/whats-on/wet-hard-long/

Tags: Adelaide HarneyAmber McCartneyBrendan DaynesdancehouseJenni LargeMichelle BoydeWet Hard Long
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