• Home
  • About Us
  • Advertise With Us
  • Contact
Dancer's Choice
  • SPOTLIGHT
  • ENTERTAINMENT
    • DANCE
    • MUSICAL THEATRE
    • CIRCUS
    • CONCERTS
  • AUDITIONS
  • EDUCATE
  • WELLBEING
  • WIN WITH US
  • INTERVIEWS
  • REVIEWS
No Result
View All Result
  • SPOTLIGHT
  • ENTERTAINMENT
    • DANCE
    • MUSICAL THEATRE
    • CIRCUS
    • CONCERTS
  • AUDITIONS
  • EDUCATE
  • WELLBEING
  • WIN WITH US
  • INTERVIEWS
  • REVIEWS
No Result
View All Result
Dancer's Choice
No Result
View All Result
Home Reviews

REVIEW | Wet Hard Long

13/07/2024
in Reviews
Reading Time: 2 mins read
REVIEW | Wet Hard Long
Share on FacebookShare on Twitter
Wet Hard Long (2023), by Jenni Large. Photo by Gregory Lorenzutti

Wet Hard Long

Captivates with Breathtaking Control and Thoughtful Design

Reviewed by Brendan Daynes

Wet Hard Long is an evocative and groundbreaking contemporary dance piece that seamlessly marries athleticism, artistry, and innovation. The production, which recently graced the stage at Melbourne’s Dancehouse, captivated the audience with its breathtaking choreography, ingenious use of props, and meticulously crafted production elements.

From the moment the lights dimmed, it was evident that this performance would be a visceral journey. Choreographer, Director & Performer, Jenni Large, and her fellow dancer, Amber McCartney, displayed absolutely incredible control, their movement quality a testament to their rigorous training and innate talent. The movement vocabulary was executed with precision, and the level of athleticism required to maintain such continuous control was nothing short of impressive.

The choreography was a masterclass in contemporary dance, blending fluid movements with sharp, staccato bursts of energy. The dancers moved with a synchronicity that was mesmerising, each step and gesture contributing to the piece’s overarching narrative. The choreography’s complexity and innovation were evident in every sequence, showcasing the dancers’ versatility and the choreographer’s visionary approach.

The integration of props into the choreography was particularly impressive. These props were not merely accessories but were cleverly woven into the fabric of the performance.  The dancers’ interaction with these props created a dynamic visual spectacle, transforming the stage into a playground of physical exploration.

Adelaide Harney’s lighting design played an integral role, enhancing the mood and complementing the choreography’s dynamic qualities. The lighting was both subtle and dramatic, shifting seamlessly to reflect the evolving narrative. Far from being a mere backdrop, it acted as a character in its own right, enriching the atmosphere and adding depth to the visual storytelling.

Michelle Boyde’s costume designs were not merely decorative; they played a pivotal role in the narrative by intricately reflecting the themes and emotions. Boyde’s work contributed significantly to the holistic nature of the performance, ensuring that every element was thoughtfully integrated.

The production’s ability to marry all elements of performance—choreography, props, lighting, and costumes—into a cohesive and compelling whole is a testament to the creative team’s vision and execution.

Wet Hard Long dives deep into complex and thought-provoking themes, exploring human connection, struggle, and resilience through the expressive physicality of its dancers. The production’s narrative strikes a balance between abstract concepts and tangible emotions, inviting audiences to interpret its layers of meaning. This remarkable achievement in contemporary dance not only showcases the extraordinary talent of its performers but also highlights the innovative vision of its creators.

Wet Hard Long played at Melbourne’s Dancehouse from 4th July – 13th July 2024. For more information, visit https://www.dancehouse.com.au/whats-on/wet-hard-long/

Tags: Adelaide HarneyAmber McCartneyBrendan DaynesdancehouseJenni LargeMichelle BoydeWet Hard Long
ShareTweetSendShare
Previous Post

JamarGig Profile Launches Dancer Profile Competition

Next Post

REVIEW | Cirque Bon Bon

Related Posts

Maho Magic Bar
Reviews

REVIEW – Maho Magic Bar

07/12/2025
0

A Slice of Tokyo Mischief in the Heart of Melbourne There are nights in Melbourne when you want something more than dinner and a show. You want colour, surprise, a bit of mischief, and maybe even a moment where you...

Read moreDetails
A Christmas Carol

REVIEW – A Christmas Carol

06/12/2025
The Lovers

REVIEW – The Lovers

09/11/2025
Blanc de Blanc Encore

REVIEW – Blanc de Blanc Encore

16/11/2025
School of Rock

REVIEW – School of Rock: The Musical

02/11/2025
HAIR The Tribal Love-Rock Musical

REVIEW – HAIR The Tribal Love-Rock Musical

02/11/2025
Next Post
REVIEW | Cirque Bon Bon

REVIEW | Cirque Bon Bon

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

No Result
View All Result

Most Recent Articles

Talia Elfes

SPOTLIGHT: Talia Elfes – Hot Young Talent Making Her Move

14/12/2025
Grace Lenan

Performance Anxiety – How I Transform it Into Peace, Ease & My Best Performance

14/12/2025
WAITRESS

WAITRESS to make its Melbourne Premiere in 2026

14/12/2025
A BEAUTIFUL NOISE

Neil Diamond Musical A Beautiful Noise Adds extra Melbourne Performances

14/12/2025
Pretty Woman: The Musical

Pretty Woman: The Musical Now Playing Until April

13/12/2025
dancers choice
Advertising & Article Enquiries

Copyright © 2025 Dancer’s Choice

Billing & Refund Policy / Terms & Conditions / Privacy Policy / Site Map / Entertainment Marketing LB

No Result
View All Result
  • Spotlight
  • Entertainment
    • Dance
    • Musical Theatre
    • Circus
    • Concerts
  • Auditions
  • Educate
  • Wellbeing
  • Win With Us
  • Interviews
  • Reviews
  • Advertise With Us