SIX: The Musical
Divorced, Beheaded, and Slaying – Melbourne’s SIX-cess as Queens Reclaim the Throne
Reviewed by Brendan Daynes
SIX: The Musical has once again taken Melbourne by storm, returning to the Comedy Theatre with a new cast while retaining the electrifying energy that made its first season a must-see. As the lights dimmed and the first notes of the “Ex-Wives” anthem filled the theatre, an electric excitement pulsed through the audience. Having previously fallen for the production in 2023, they were eager to embark on this pop-infused historical journey once again, and the spectacular performance once again proved why the show remains a global phenomenon. 
For newcomers, the production reimagines Henry VIII’s six wives as contemporary pop divas, each presenting her story through a vibrant concert experience. With music, lyrics, and book by Toby Marlow and Lucy Moss, this theatrical event skilfully fuses historical events with contemporary pop culture, delivering a performance that is both educational and entertaining. Each queen highlights her own unique personality and musical style, competing to captivate and win the audience over by proving they endured the most hardship with the infamous king.
The new cast injects a vibrant energy into these iconic roles, bringing fresh excitement to the stage. Kimberley Hodgson’s Catherine of Aragon stands out with her bubbly and upbeat presence. Her fun and spirited performance sets a lively tone for the evening, captivating the audience with both her charisma and powerful vocals. Deirdre Khoo’s Anne Boleyn delivers a performance brimming with energy and comedic flair. Her impeccable timing and playful demeanour showcase her ability to blend humour with stage presence. Loren Hunter’s portrayal of Jane Seymour is deeply heartfelt and tender, combining emotional depth with impressive vocal prowess. Her dedication is evident in her dynamic approach to the choreography, executing each movement with precision and grace. Zelia Rose Kitoko’s Anna of Cleves exudes confidence and charisma. She embraces her character’s newfound freedom with exuberance, revelling in her role and bringing a vibrant, self-assured energy. Chelsea Dawson’s Katherine Howard is a vocal powerhouse, delivering a masterclass in vocal trills and runs. Her performance balances a high-energy, fun-filled approach with just the right amount of charm, making her portrayal both captivating and memorable. Giorgia Kennedy, as Catherine Parr, is both tender and commanding. Her performance is a beautifully balanced mix of strength and sensitivity, serving as the emotional anchor of the show.
What sets this season apart is the synergy between the cast and the audience. The energy in the theatre was electric, with every performer feeding off the crowd’s enthusiasm and allowing this to elevate their performance. The choreography by Carrie-Anne Ingrouille remains sharp and precise, a testament to the hard work and dedication of the cast, who barely had a moment’s rest during the 80-minute performance.
The production design, with its simple yet effective set by Emma Bailey and dazzling costumes by Gabriella Slade, continues to impress. The stage, reminiscent of an arena concert, allows the queens to shine individually and as a group, while the lighting design by Tim Deiling and sound design by Paul Gatehouse add to the immersive experience. The on-stage band, affectionately known as the “Ladies in Waiting,” deserves special mention for their flawless execution of the score, providing the perfect backdrop for the queens’ performances.
Beyond its dazzling spectacle, the production delivers a powerful message of femininity, strength, and self-empowerment. By celebrating the individuality of Henry VIII’s wives, the show transforms their stories into tales of resilience and courage, resonating with anyone who has ever felt overshadowed. Its ability to bridge history with contemporary pop culture through clever lyrics and catchy tunes makes the show both accessible and relatable. The enthusiastic standing ovation at the end underscored the show’s impact, leaving the audience exhilarated long after the final note.
SIX: The Musical is a triumph, a vibrant and exhilarating celebration of history, music, and empowerment. Whether you’re a returning fan or a newcomer, this production captivates with its infectious energy, stellar performances, and empowering message, continuing to reign supreme as one of the most innovative and entertaining musicals of our time.
SIX: The Musical is playing at Melbourne’s Comedy Theatre until October 20, 2024, before moving to the Theatre Royal Sydney from October 25, and Brisbane’s Playhouse Theatre, QPAC from January 2, 2025. Tickets and more information are available at https://sixthemusical.com.au/
